Displaying items by tag: Holt McCallany

MISSION IMPOSSIBLE: THE FINAL RECKONING

US, 2025, 169 minutes, Colour.

Tom Cruise, Hayley Atwell, Simon Pegg, Ving Rhames, Esai Morales, Pom Klementieff, Henry Czerny, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Trammell Tillman, Angela Bassett, Shea Whigham, Charles Parnell, Mark Gattis, Rolf Saxon, Cary Elwes.

Directed by Christopher McQuarrie.

The grand finale.

The spin-off from the very successful television series, with its pounding score and the messages disappearing after five seconds, the first Mission Impossible, the introduction to Tom Cruise as Ethan Hunt, was released in 1996. Cruise was 33. Now, 2025, the eighth film in the franchise, and here is Cruise in his early 60s, athletic, doing all his stunts, very serious saviour of the world.

There is something of a complex background to this finale, an AI development called The Entity and the danger of its overcoming the human race, and setting off a nuclear holocaust. Luther, Ving Rhames from the past films, is here developing a mechanism to counteract The Entity. But, arch-villain, Gabriel (Esai Morales) wants to conquer the world and has the other piece. The President of the US, Angela Bassett, surrounded by advisers (several British character actors, including Janet McTeer and Mark Gattis) is relying on Ethan Hunt to save the world.

There are various characters who have worked with Ethan in the past, especially Benji, Simon Pegg, and a reunion with Grace, Hayley Atwell. The first part of the film is setting the scene, Hunt building up his team (and some mask removing action scenes). In this film there are quite a number of references to the action in 1996, especially an angry character, Briggs (Shea Whigham) whose father was killed by Hunt (with some flashbacks from the original and Jon Voight). Briggs is working with Kittredge, Henry Czerny, Hunt’s sometime control. But, especially with killer, Pom Klementieff rescued from prison, the team is ready.

The second part of the film has Ethan Hunt underwater most of the time, and some extraordinary stunt work, as he dives into a sunken vessel in the Behring Sea, the difficulties of the depth, compression, breathing, an narrow tube which means that he has to strip down to his boxers! and survive and reach the surface. Ultimate success (but perhaps some realists in the audience wondering about meals, sleep, toilet stops! None of which are shown.)

The last part of the film is action adventure, stunts and CGI, making mission impossible, Mission Impossibler, in fact, Mission Impossiblest. And, with some instant travelling from Europe to Africa, beautiful mountain and valley African locations for the finale, especially with Hunt pursuing Gabriel in light planes, and some ultra-gymnastics as Hunt leaps, dangles, climbs on to Gabriel’s plane, overcomes him, takes the connection to destroy the Entity, tension with the time coming down to the splittest of seconds to save the world.

In the American presidential control room, enormous relief, then a final puzzling scene in Trafalgar Square, Ethan Hunt, each member of his team approaching him, looking knowingly, then turning away… And we wonder actually if he is dead and this is the final tribute to his world saving achievement from his team…

1. Popular 30 year franchise? The television series (and the continued use of the musical theme)? The character of Ethan Hunt, saving the world? Tom Cruise, his presence, performance, stunts, hero-saviour?
2. The development of the character of Ethan Hunt over the decades, this film using flashbacks to the original film, to past films? Tom Cruise at 30 something then 60 something?
3. The locations, Washington and the President, the vast security headquarters? The Arctic, the Behring Sea, underwater photography, the long sequence exploring the submerged vessel, the transition to Africa, the beauty of the scenery, London, Trafalgar Square? The background musical score, sense of excitement, tension, amplified?
4. The explanation of the basic situation about The Entity? Control of the human race? The nuclear danger? The role of Gabriel, wanting power? President of the US, her response, her advisers, the reliance on Ethan Hunt? Those dissenting? The short time to DEFCON, the focus on the clock?
5. Re-introducing Ethan Hunt, his reputation, his achievements, Kittredge, the explanations of his achievement, dangers, deaths, the presence of Briggs, the flashbacks to his father and Hunt causing his death? Refusing to shake hands? Kittredge and Briggs working together, building up to a confrontation? Then a reconciliation?
6. Luther, his presence in the previous films, technical skills, getting older, facing The Entity, the preparation of material for the capture of The Entity? His death? His final message after the achievement and exploding after five seconds? Seen in flashbacks?
7. Benji and Grace, their characters, in the previous films? The team, Grace, pickpocketing, her skills and timing, the relationship with Ethan? Benji, technical skills? The recruiting of Paris, going to the prison, as guards, the masks, the shootout, Capt Bledsoe, the guns, the fight? Paris, her character, killer, speaking in French?
8. The explanation of the strategy, the team possessing Luther’s capture, Gabriel, the confrontations, arrogant personality, his troops, the escape, his possessing the other part of the capture? The explanation of the timing, the split second timing?
9. The background of locating the sunken vessel, the issue of the key, who had the keys? The compass points, the technology, the submarines, Hunt and the various ships, the explanation of the dangers, the cold, compression, revival? The captain of the ship, getting the information, the code? The Admiral supervisor, the collaboration?
10. The team, going to St Matthew Island, the discovery of William Donloe, his wife, his presence 30 years earlier, his achievement on the island? The arrival of the Russians, the buildup to the fight, Don and his transmitting the code, his wife and Grace with the compressor for revival?
11. The long sequence of Hunt underwater, the dangers, the depths, tunnel and his having to remove his clothes, going to the top, unconscious, the revival, Grace and Donloe’s wife?
12. Washington, the dilemmas for the the president, the personalities of her team, the timing, her reliance on Hunt? Different advisers, the decision about bombing the American city, the advisers with the gun, his being shot, the general killed?
13. The tension with Hunt, Gabriel’s arrival, confrontation, his men the shooting, Gabriel and the plane, Hunt in pursuit, the beautiful scenery, the range of highflying stunts, possible or impossible? The battle in the sky, overcoming Gabriel, getting the peace for controlling The Entity? Parachuting down?
14. The fight, Benji wounded, Donloe and his collaboration, Benji giving the directions for the wires, Grace waiting to cut when the signal came through? Down to the final second? The achievement?
15. The president, her decision, not to destroy the town city, the power going off, coming on again, the world saved, her going to inspect the troops, her son?
16. The team, the achievement, Benji and his wound, care, Grace and Hunt?
17. The final sequence, Trafalgar Square, the world saved – did Hunt survive or was this a symbolic death sequence, his meeting once again the significant people in his team?

THE AMATEUR

US, 2025, 123 minutes, Colour.

Rami Malek, Rachel Brosnahan, Jon Bernthal, Holt McCallany, Julianne Nicholson, Caitriona Balfe, Michael Stuhlbarg, Laurence Fishburne.

Directed by James Hawes.

Based on a novel by Newsweek reporter, Robert Littel, The Amateur was first filmed in 1981 with John Savage and Christopher Plummer. It was the era of popular spy novels by Robert Ludlum in one wit suggested that this version of The Amateur is “Bourne Again”! Not exactly, action sequences yes, but the central character here, Charlie Heller, played by Oscar winner Rame Malek (Bohemian Rhapsody as Freddie Mercury) would not necessarily be the first choice for an action hero!

In fact, he plays a highly skilled IT expert, perhaps of the “nerd” variety, at home in his sealed office and IT centre, making contacts, tracking, identifying voices, but also discovering that some of the CIA authorities are conducting illegal black ops.

This is where a film version of CIA action in the 1980s has to give considerable way to a version in the 2020s. The developments of IT, social networking, mobile phones, instant connections, instant surveillance, storage of information.

But, Charlie Heller has a loving relationship with his wife, Sarah, Rachel Brosnahan, her going to a meeting in London and to his shock and horror, grief and obsession, discovering that she has been killed during a robbery, offering herself as a hostage for someone else, being shot.

Acceptance of this reality is not the first response of Charlie Heller. Rather, he becomes obsessed with revenge.

As action films go, Charlie Heller’s determination, going through some rigorous CIA action training, but not very good with the gun, is a driving force in this action. And, as a bonus, the audience is treated to a wide range of location action, London, Paris, Marseille, Istanbul, in Romania, the Baltic coast… And Charlie, not only identifying who the villains are, especially the one who pulled the trigger, but he is able to track them down, them, destroy them.

However, as with so many action films, there is the issue of the plausibility, and then the question of credibility. With the action moving fast, what about realism and practical details of food, rest, toilet breaks, money in the pocket, the functioning or not of IT equipment, travel and air tickets…? Audiences accepting omissions because of the action?

As always, there are some moral questions, complications. The role of the CIA, illegal and secret black ops in the name of patriotism, these agents being held to account, International criminal gangs, ruthless business and murders, and, with Charlie Heller himself, the obsession of revenge, motivations of vengeance, and his setting up killings parallel to the set-ups by the villains. And, with Rami Malek the amateur action hero grieving the death of his wife, rather than an all-conquering beefed-up agent, there is also some emotional challenging.

1. Action level of the 1980s? Updating to the 2020s? The transition to the world of IT and espionage?
2. The international settings, Washington DC, London, Paris, Marseille, Istanbul, Turkish coast, Romania, the Russian coast? And the world of the CIA? The musical score?
3. The realism of the plot? Plausibility? Credibility? Practical details of food, rest, toilet breaks, money, close change, travel and air tickets…? Audiences accepting omissions because of the action?
4. The introduction to Charlie and Sarah, at home, ease with each other, love, his work on the plane, not travelling, her going to London? The contacts, the phone calls? And the various flashbacks during the film?
5. Charlie, going to work, his car, the cards, security, his workplace, computers, programming, espionage, his link with the mysterious corresponded, ears, guessing where he lived? Istanbul? And the later contact, revelation of the truth, the man being dead, his wife continuing the communications, Charlie going to her, her collaboration, his eyes in pursuit of the criminals? That they have covered, the siege, the attack, her death?
6. The robbery in London, the dramatics, on the television news, the details, the Chiefs informing Charlie, his reaction? His being seen as something of a nerd, his help with The bear, summoned by the Chiefs, his hold over them, his information about the illegal ops? There confronting him? The meetings with Chief O’Brien? The later investigations, interrogation of Moore, the lunch with him, their deceiving her?
7. Charlie, obsessed, the motivation, his phone, Internet connections, wanting to be trained, work Henderson, the discussions, shooting practice, Charlie and his limitations? Later Henderson being used, following him in Paris, to Marseille, the confrontations, Istanbul, the fight, his being wounded? And is later reappearing?
8. Charlie and his ability to identify the criminals, the techniques, voices and matches, images? His decision to track them down?
9. Money issues, motivation, the travel to London, information, to Paris, identifying the woman, at the gym, the suffocation, the fight, her escape, it by the van? Charlie and the bus to Marseille?
10. Marseilles, tracking down people, business of Henderson, the bar, getting information?
11. The criminal, the pool, his money, the swimming, Charlie and the confrontation, the dynamics of the pool, the water, the pressure, the interrogation, the threats, the explosion and the deluge?
12. Charlie, in Istanbul, the contacts, the information about Romania, his travel, the setting up of the cargo, the confrontation with the criminal, the threat, the explosives?
13. Information about Russia, the travel to the coast, seeing the criminals, the boat, his being abducted, the interrogation, the criminal giving him the gun, his inability to shoot, the criminal indicating Charlie’s motivations and setting up deaths?
14. The delay, in Finnish waters, the arrests? Charlie vindicated?
15. Washington, Director O’Brien, the arrests of the Chiefs, their illegal ops?
16. Charlie, the car, Henderson reappearing, his going home, flying the plane? Achievement?

THE IRON CLAW

US, 2023, 132 minutes, Colour.

Holt McCallany, Maura Tierney, Zac Efron, Harris Dickinson, Jeremy Allen White, Stanley Simons, Lily James, Michael J.Harney, Kevin Anton.

Directed by Sean Durkin.

A strong, tough title. And a reference to a wrestling technique, the strengthening of a hand, the shape of a claw, and descending, claw-like, on the head of an opponent. The signature of the wrestling family, the Von Erichs, but also a metaphor for the control of a father over his sons.

While this is a wrestling film with many wrestling sequences (someone remarking that they were not “fake” but “pre-arranged”, vividly bringing to life the moves, the tactics, the brutality, the theatricality, and the often wild enthusiasm of the cheering crowds.

This will appeal to wrestling fans. But, for non-wrestling fans, this is also a strong family drama. It is based on an actual family, the father a one-time champion but never receiving the final accolades, his surviving four sons and his domination of them, not only to follow his career path, but to be acknowledged, recognised as champions. (For audiences caught up in the family story, there is a lot of background information on the Internet.)

There is a black-and-white prologue, the success of Fritz Von Erich, a convincing performance by Holt McCallany, and his encouraging his little boys. Then a transition to 1979, memories of the death of a very young son, the four remaining brothers, strongly bonding, huge sense of family, devotion and loyalty to their tough mother, Maura Tierney, but relying on a sense of family support. Wrestling championship is expected of each of them.

The oldest of the four is Kevin, played by Zac Efron (a long way from High School Musical days). We see him train, devote himself to rigorous regimes, and success in the ring, and he is enjoying this way of life, almost a vocation. The next son, Kerry (Jeremy Allen White from The Bear) is away from home, training in football. After him comes David, Harris Dickinson, who is emerging with championship potential, is smarter than Kevin, more articulate, and favoured by his father to go on to greater things. The contrast is in Michael, Stanley Symons, who lacks the physical build of the others and is much more interested in music, playing in a band. But, he too will be caught up in the aura of wrestling.

This is not just a story of fame and fortune. The family is said to be “cursed” and, the drama focuses on the effect of the wrestling on each of the sons, pressures, health issues, suicidal episodes, injury and coma. And, always in the foreground, the relentless father, the demands on his sons, and in certain ways, he is the one who is cursed but does not recognise it.

At the end, as with films based on true stories, there is further information about the family and some photos. As a counterbalance to the wrestling, the training, the hard physicality, there is a rather ingenuous love story, Kevin encountering a fan, played by Lily James, who takes all the initiatives to break through his wrestling preoccupations that they might make a happy couple, happy family (and the end information tells us that they have been married for almost 40 years, happy children and grandchildren living with them).

So, for some audiences, the wrestling. For other audiences, the family story and the impact of a dominating and ambitious father.

1. The title, the hand, formation, iron, on the head of the opponent, blood? Symbol of the hold of the father over his sons?
2. True story, the popularity of wrestling in the US, professional wrestling, techniques, training, physical progress, moves, theatricality, not fake but prearranged, the commentaries, the media and television, the fans?
3. The 1970s, wrestling, the political background, scenes of Jimmy Carter, into the Reagan era?
4. The prologue, black-and-white, the father, his career, success, not winning the belt, encouraging his little boys?
5. The transition to 1979, the death of the young boy, his memories? The other sons, expectations? The father, his coaching, arranging bouts, contacts? Expectations of his sons, favouring one then the other? Fritz, his age, his relationship with Dottie, the long marriage, memories of their courtship, the bond between them, life at home, his personality? Dottie and her personality, restraint, keeping the house together? Meal sequences?
6. The focus of the film on Kevin, Zac Efron is physical presence, build, training, running, gymnasium, pushing himself? His ambitions? Loving wrestling, love for the family and the bonding? His performances? Success? His father’s ambition for him to win the award? His not winning it? Age? His bonding with David, David emerging as favoured by his father? Kevin’s reactions?
7. David, younger, taller, his physique, his determination, taking the microphone and speaking for Kevin? Training, success? The plans for Japan? His bringing up blood, the conversations with Kevin? The news of his death? The funeral? The response of the family?
8. Kerry, next in line, the football training, personality, his return, training, determination, the bouts, his successes, show bouts, exhilaration, the driving, the injury, the amputation, recuperation, trying the boots, practising with Kevin, failures and falls, depression, suicide?
9. Talk of the family curse, the deaths of the three boys, the curse effect on their father?
10. Michael, younger, his place in the family, different build, music, the band, their all escaping through the windows after their mothers forbidding them to go? Success with the band? His being brought in for wrestling, training, the bouts, the injury, coma, slow recovery, the meal table, mental limitations? Taking the pills, writing the note, wanting to go to a better place, his death?
11. The contrast with the romantic subplot, Pam as a fan, forward, talking to Kevin, bring him out of himself, his enjoying her company, her work as a vet, welcomed by the family, the wedding, her being pregnant?
12. The portrait of wrestlers, their personalities, names, press conferences, boasting, self-promotion?
13. The role of the media, promoters, Bill Mercer, working with Fritz, promotions, commentary, friendship?
14. The deaths in the family, the boasting of the champions on media, Kevin and his determination, to win, the years, the fight, his anger, the iron claw, being disqualified?
15. The final information, Kevin and Pam, almost 40 years married, the large family?
16. The contribution of the family to American professional wrestling?